And it comes up with the concept of cyber-genetic-enhancement, which earns it an extra point right off the bat.
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It's a moot point though this is Tango & Cash for the new generation, pushing the boundaries of 12A violence (but still unquestionably 12A, which is a shame given what the director has previously accomplished with a harder rating in John Wick, Atomic Blonde, and Deadpool 2 - the fighting, but for perhaps in the final, final conflict, seldom has genuine impact, and is blisteringly fast-cut) and going full 80s in its sensibilities, even - at its height - showing some self-awareness over the whole macho male setup, whilst it delivers a succession of increasingly preposterous, but still frequently entertaining action setpieces. It's in-line with the franchise as a whole, selling spectacularly stupid as a grin-inducing positive, and almost getting away with it It also struggles to offer up any genuine tension its indestructible leads charged with fighting a slightly more indestructible opponent whilst dealing with a human ticking time bomb threat that has been done better a dozen times before - even in Woo's Mission: Impossible II. who needs one forty minute long ending when you can have two?įor many, this is just what it says on the box - and then some - and the added bang for your buck is just an opportunity for further grin-inducing insanity, but Hobbs & Shaw has a remarkably laissez-faire attitude when it comes to almost anything but action, with even the jokes occasionally hit and miss, and things like efficient storytelling, characterisation and plot all utterly surplus to requirements. Seeking to capitalise on this chemistry - or friction- Hobbs & Shaw is the first of several planned Fast & Furious spin-off projects, attempting to see how much mileage the franchise gets from features which don't involve the original stars, and it is certainly a lot of bang for your buck, taking a few minutes of witty skit between the two leads and seeking to transform it into an epic running gag.Ĭlocking in at a rather unforgiving 135 minutes, the epic action extravaganza often feels like it's fitting into a pre-ordained slot with a specific running time, content to throw in a half a dozen montages just to meet expectations serve up multiple scenery-changes in a bid to live up to its globe-trotting big brother franchise, and hammer home the overarching themes of family and vehicular mayhem, even if it means adding a whole fourth act to the feature just because.
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Eight movies into the Fast & Furious series and few will argue that the scenes with both Dwayne Johnson and Jason Statham were an absolute high point, particularly when they were butting their bald heads together in a gloriously over-the-top alpha male put-down match.
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